20.11.07

Adagio

Sonata in D major, K.576 : II. Adagio (Mozart, 1789)


Because one of the keys all of a sudden decided to remain silent forever, I was forced to stop playing the songs I always played on this piano. My landlord said 'we need a new piano.' Then he told me actually this piano was found unwanted on the street. A homeless piano until it was moved in.

Most of its keys do not function properly. It needs tuning pretty badly too. I miss my own one at home. It's sitting in my room quietly waiting for my return.

P, my piano teacher last year, told me that 'one could always try to make the best of a piano, no matter how lousy its condition is.' Practising fingering, for instance. But I have to keep in mind not to take the sound seriously.



Dynamics, dynamics. Not just notes but singing phrases.

So I searched for tunes that don't require that one key. No more tunes in C Major for this piano. Lots of black keys from now on.

As a result I came across Mozart's sonata numbered 576. I dug out its recording from the collection L gave me. Starting from the second movement because I have a bad habit of preferring the second movement of his sonatas. I especially love the tempo note given to this movement: Adagio. At ease.

Just then I continuously practised one phrase in 6 bars. I went from reading the sheet while playing to watching my fingers dancing. Rarely so! The dance is not yet graceful, but is tolerable at this stage.


That broken key is actually quite an essential one, but I'm not letting its silence announce the death of this piano yet.

有時候,彈琴變成記憶練習:關於手指伸展距離的記憶、移動速度的記憶、休止符長短的記憶。以這為基礎,去合併觸覺與聽覺,使我不用開口可以表達情感,超過文字所能達到的境界。

4 comments:

impermissible wanyü said...

this morning, a blck key went silent too...
what is there to be done??
:(

Anonymous said...

"以這為基礎,去合併觸覺與聽覺,使我不用開 口可以表達情感,超過文字所能達到的境界。"

這是為何音樂可以獨立文字外存在的原因

我如是覺得

kathy said...

我覺得畫跟音樂都有這個效果。可能看到一幅畫覺得震撼或平靜,而且並非有形體的作畫,可能是一些色彩的組合,然後你知道某處的自己被打動了,卻抓不出來是哪裡以及為何。音樂也經常這樣。說來文字真的很有限。

impermissible wanyü said...

我想我得說一下關於我說所謂超過文字所能達到的境界,其實是因為我的文字掌握不夠去表達,而不是一般而言。

昨天靠自己把第二個壞掉的鍵稍微修好,到暫時可以用的程度。以前沒想過自己可以做到這樣的事情。

k 說的關於畫,以及顏色配置等所能得到的震撼,有時候在音樂裡,在電影裡更是不用說,還有在文學中,其實也都有這樣的關於「色澤」「色調」上的聯想評論。

匿名者所講的音樂外於文字存在,事實上,在莫札特這樣的古典樂時期,我猜他創作時在文字與樂符之間的連結應該是以樂符去取代文字,(所以樂理中有人稱作singing phrase)。

但是聽的人要怎麼去連結,就看聽者有多依賴文字,像是被稱為「月光」的奏鳴曲,其實也不是貝多芬自己這樣取名的。頂多知道他所用的曲式大致上代表什麼「表情」,不會在創作時用會拿去葬禮時使用的曲式來譜曲。我大概就目前知道這樣,希望可以繼續深造下去。對中國古代樂理也是非常的有興趣的。